{"id":286,"date":"2020-07-05T21:39:03","date_gmt":"2020-07-05T21:39:03","guid":{"rendered":"http:\/\/ams-sw.org\/?page_id=286"},"modified":"2021-12-17T21:21:48","modified_gmt":"2021-12-17T21:21:48","slug":"volume-6-fall-2017-issue","status":"publish","type":"page","link":"https:\/\/southwest.ams-net.org\/index.php\/volume-6-fall-2017-issue\/","title":{"rendered":"Volume 6, Fall 2017 Issue"},"content":{"rendered":"\n

American Musicological Society Southwest Chapter Conference Proceedings<\/h1>\n\n\n\n

Special Issue dedicated to Dr. Sheryl Murphy-Manley<\/p>\n\n\n\n

\"\"
Sheryl Murphy-Manley (1962-2017)<\/figcaption><\/figure>\n\n\n\n

Contents<\/h2>\n\n\n\n

Paper Abstracts<\/h4>\n\n\n\n

The Early Baroque Singer as Actor: Portraying Emotion on the Venetian Opera Stage
<\/a>(Emily Hagen, University of North Texas)<\/p>\n\n\n\n

Contrasting Fortepiano Colors and Developing Variations in Beethoven\u2019s Piano Sonata, Opus 111<\/a>
(Stephen Husarik, University of Arkansas\u2013Fort Smith)<\/p>\n\n\n\n

The Blues: Going Medieval on your Assumptions
<\/a>(Kim Pineda, Sam Houston State University)<\/p>\n\n\n\n

To Wipe All Tears from Our Eyes:<\/em> Devised Pedagogy and Practice-Based Research in the Teaching of History<\/a>
(Nicole Wesley, Texas State University and Christopher J. Smith, Texas Tech University)<\/p>\n\n\n\n

The Absence of Female Composers in the Development of Modern Dance<\/a>
(Anne Wharton, Texas Tech University)<\/p>\n\n\n\n

The Singing Charro, the Silver Screen Cowboy, and Valorization of Rural Life in an Age of Social and Technological Transition<\/a>
(Joanna Zattiero, University of Texas at Austin)<\/p>\n\n\n\n

Poster Session Abstracts<\/h4>\n\n\n\n

Bad, Bad Woman: An Analysis of Carmen and Her Role Within Society
<\/a>(Heather Beltz, Texas Tech University)<\/p>\n\n\n\n

Thinking by Ear
<\/a>(Vern Falby, Peabody Conservatory and James Dennis, Texas State University)<\/p>\n\n\n\n

Singing Defiance: El Corrido de Gregrorio Cortez<\/em>
<\/a>(Brian Galica, Texas Tech University)<\/p>\n\n\n\n

An Unattributed Renaissance Gradual in the Trinity University Special Collections
<\/a> (Kimberlyn Montford and Kristina Kummerer, Trinity University, San Antonio)<\/p>\n\n\n\n

Microtiming at the Beginning of Beethoven\u2019s Piano Sonata op. 2 No. 1, I
<\/a>(Nico Sch\u00fcler, Texas State University)<\/p>\n\n\n\n

The American Music Wiki Cohort: Purging Textbooks from the Academy One Entry at a Time<\/a>
(Scott M. Strovas, Wayland Baptist University)<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

American Musicological Society Southwest Chapter Conference Proceedings Special Issue dedicated to Dr. Sheryl Murphy-Manley Contents Paper Abstracts The Early Baroque Singer as Actor: Portraying Emotion on the Venetian Opera Stage(Emily Hagen, University of North Texas) Contrasting Fortepiano Colors and Developing Variations in Beethoven\u2019s Piano Sonata, Opus 111(Stephen Husarik, University of Arkansas\u2013Fort Smith) The Blues: Going … <\/p>\n

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