A mi patria: A Quest for Place and Space through Baroque Counterpoint and Subjective Nationalism<\/a> The Narrative Persona and the Nineteenth-Century Solo Concerto: An Analytical Study of Stylistic Competency and the Troping of Temporality<\/a> Traversing the Territory Between Diegetic and Non-diegetic: Case Studies of Musical Discovery in the Legend of Zelda Game Series<\/a> Aesthetics of the Arabesque and Grotesque in Mendelssohn\u2019s Witches\u2019 Sabbath<\/a> The Use of Choral Music in late Twentieth-Century and early Twenty-first Century Film Scores<\/a> | Poster<\/a> Vincenzo Scaramuzza and His Science of the Soul<\/a> | Poster<\/a> What Comes Next? \u2013 The Rhythmic and Formal Language of Contemporary Metal Music Musical Innovations in C. P. E. Bach\u2019s Gellert Songs<\/a> | Poster<\/a>
(Alfredo Colman, Baylor University)<\/p>\n\n\n\n
(Michael T. Lively, Texas Woman’s University)<\/p>\n\n\n\n
(Sheryl K. Murphy-Manley with student co-authors Conner Morgan and Michael Salinas, Sam Houston State University)<\/p>\n\n\n\n
(Eve Ruotsinoja, University of Houston)<\/p>\n\n\n\nPoster Session Abstracts<\/h4>\n\n\n\n
(Micah Bland, University of Texas at San Antonio)<\/p>\n\n\n\n
(Luca Giuseppe Cubisino, Texas State University)<\/p>\n\n\n\n
<\/a>(Jose M. Garza, Jr., Texas State University)<\/p>\n\n\n\n
(Stephanie Rizvi-Stewart, Texas Tech University)<\/p>\n\n\n\n