{"id":470,"date":"2021-07-17T14:52:43","date_gmt":"2021-07-17T14:52:43","guid":{"rendered":"https:\/\/ams-sw.org\/?page_id=470"},"modified":"2021-07-17T14:52:43","modified_gmt":"2021-07-17T14:52:43","slug":"april-10-2021-meeting","status":"publish","type":"page","link":"https:\/\/southwest.ams-net.org\/index.php\/april-10-2021-meeting\/","title":{"rendered":"April 10, 2021 Meeting"},"content":{"rendered":"\n

Spring Virtual Meeting <\/strong>
Southwest Chapter of the American Musicological Society<\/strong>
April 10, 2021<\/strong>
Time Zone: Central <\/strong><\/h2>\n\n\n\n\n\n\n\t\n\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t
Program<\/th>\n<\/tr>\n<\/thead>\n
8:50 a.m. \u2013 9:00 a.m.<\/td>Welcome<\/td>\n<\/tr>\n
<\/td>Kevin Salfen (University of the Incarnate Word), Chapter President<\/td>\n<\/tr>\n
9:00 a.m. \u2013 10:30 a.m. <\/td>Panel 1: Identity and Cultural Encounter<\/strong><\/td>\n<\/tr>\n
<\/td>Moderator: Kevin Salfen (University of the Incarnate Word)<\/td>\n<\/tr>\n
<\/td>Jon Churchill (Duke University), \u201c\u2018The Symphony of the Front\u2019: Cross-Cultural Rupture in Ralph
\nVaughan Williams\u2019s Pastoral Symphony<\/em>\u201d<\/td>\n<\/tr>\n
<\/td>Kimberly Beck Hieb (West Texas A & M University), \u201cThe Church Militant in Sacred Music from Late
\nSeventeenth-Century Salzburg\u201d<\/td>\n<\/tr>\n
<\/td>Carl Leafstedt\t(Trinity University) and Elisa Barrera (Trinity University), \u201cBeyond \u2018La Bamba\u2019:
\nMexicanidad and Border Identity in San Antonio\u2019s WPA Orquesta T\u00edpica, 1936-43\u201d<\/td>\n<\/tr>\n
10:30 a.m. \u2013 11:00 a.m.<\/td>Poster Session \/ Break<\/strong><\/td>\n<\/tr>\n
<\/td>Alexa Frederick (Texas Tech University), \u201cThe Haitian Revolution\u2019s effect on the Music of Vodoun\u201d<\/td>\n<\/tr>\n
<\/td>James MacKay (Loyola University New Orleans), \u201cHaydn\u2019s Compositional Gradus ad Parnassum:<\/em> Fuxian Counterpoint in his Symphonic Finales\u201d<\/td>\n<\/tr>\n
11:00 a.m. \u2013 12:30 p.m.<\/td>Society and Labor<\/strong><\/td>\n<\/tr>\n
<\/td>Moderator: Sarah Lucas (Texas A & M University\u2014Kingsville)<\/td>\n<\/tr>\n
<\/td>Anna Wodny (University of North Texas), \u201c\u2018Let the Spectacle Astound You\u2019: Experiencing Bals Publics<\/em> in Eighteenth-Century Paris\u201d<\/td>\n<\/tr>\n
<\/td>Brian Anderson (University of North Texas), \u201cExamining Music Binder\u2019s Volumes in Nineteenth-Century America: A Quantitative Approach\u201d<\/td>\n<\/tr>\n
<\/td>Michael Dekovich (University of Oregon), \u201cStratifying Stratocasters: Electric Guitar Production and the Global Division of Labor\u201d<\/td>\n<\/tr>\n
12:30 p.m. \u20131:00 p.m<\/td>Lunch<\/td>\n<\/tr>\n
1:00 \u2013 1:30 p.m.<\/td>Business meeting (feel free to continue lunch)<\/td>\n<\/tr>\n
1:30 p.m. \u2013 1:45 p.m<\/td>Break <\/td>\n<\/tr>\n
1:45 p.m \u2013 3:15 p.m.<\/td>Style and Experiment<\/strong><\/td>\n<\/tr>\n
<\/td>Moderator: Andrew Chung (University of North Texas) <\/td>\n<\/tr>\n
<\/td>Stacey Jocoy (Texas Tech University), \u201c\u2018News out of East India\u2019 (1624) to The Island Princess<\/em> (1699):
\nMusicality of the Other\u201d<\/td>\n<\/tr>\n
<\/td>Hewitt-Oberdoerffer Award 2020 Winner:<\/strong> Sa-Ra Park (Texas State University), \u201cDomenico Scarlatti\u2019s Musical Style: His Keyboard Sonata, K. 288\u201d<\/td>\n<\/tr>\n
<\/td>Rachel Gain (University of North Texas), \u201cAn Eighteenth-Century Microtonal \u2018Experiment\u2019: Issues of Theory and Temperament in Air \u00e0 la Grecque\u201d<\/em><\/td>\n<\/tr>\n
3:15 p.m. \u2013 3:30 p.m<\/td>Break<\/td>\n<\/tr>\n
3:30 p.m \u20135:00 p.m.<\/td>Character and Characterization<\/strong><\/td>\n<\/tr>\n
<\/td>Moderator: Michele Aichele (University of the Incarnate Word \/ Texas Lutheran University \/ Texas
\nA & M University\u2014San Antonio \/ Morningside College)<\/td>\n<\/tr>\n
<\/td>Eduardo Garcia (University of New Mexico), \u201c\u2018Ahora estamos m\u00e1s unidos\u2019:<\/em> Claiming Resilience in the El Paso Mass Shooting Corrido<\/em>\u201d<\/td>\n<\/tr>\n
<\/td>Jacques Dupuis (Framingham State University), \u201c\u2018Germany\u2019s Greatest Actress\u2019 in Concert: Sophie Schr\u00f6der\u2019s Unsung Music\u201d<\/td>\n<\/tr>\n
<\/td>Megan Sarno (University of Texas\u2014Arlington), \u201c\u2018But Maybe I am Wrong\u2019: Ambivalence in Mademoiselle, A Portrait of Nadia Boulanger\u201d<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n

Program Committee<\/h2>\n\n\n\n

Many thanks to the members of the program committee:<\/p>\n\n\n\n