{"id":721,"date":"2022-04-09T13:12:31","date_gmt":"2022-04-09T13:12:31","guid":{"rendered":"https:\/\/ams-sw.org\/?page_id=721"},"modified":"2022-04-09T13:21:08","modified_gmt":"2022-04-09T13:21:08","slug":"april-9-2022-meeting","status":"publish","type":"page","link":"https:\/\/southwest.ams-net.org\/index.php\/april-9-2022-meeting\/","title":{"rendered":"April 9, 2022 Meeting"},"content":{"rendered":"\n

Spring Virtual Meeting 
Southwest Chapter of the American Musicological Society
April 9, 2022
Time Zone: Central <\/h1>\n\n\n\n

A printable version with paper and poster abstracts is available here<\/a><\/p>\n\n\n\n

Meeting Place: Zoom<\/h2>\n\n\n\n

<\/p>\n\n\n\n

The meeting is free and open to all members and friends of the chapter. Follow the link<\/a> to register for the meeting<\/p>\n\n\n\n

Zoom Host: Kevin Salfen, AMS-Southwest Chapter President<\/p>\n\n\n\n

Meeting Contact: Virginia E. Whealton, AMS-Southwest Chapter Secretary-Treasurer (virginia.e.whealton@ttu.edu<\/a>)<\/p>\n\n\n\n\n\n\n\t\n\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t
Program<\/th>\n<\/tr>\n<\/thead>\n
8:50 a.m. \u2013 9:00 a.m.<\/td>Welcome<\/td>\n<\/tr>\n
<\/td>Kevin Salfen (University of the Incarnate Word), Chapter President<\/td>\n<\/tr>\n
9:00 a.m. \u2013 10:30 a.m. <\/td>Panel 1: Discovery and Rediscovery<\/strong><\/td>\n<\/tr>\n
<\/td>Moderator: Michele Aichele (Texas Lutheran University \/ University of the Incarnate Word)<\/td>\n<\/tr>\n
<\/td>Nico Sch\u00fcler (Texas State University), \u201cRediscovering \u2018Authentic\u2019 African-American Music in the US in the Late-19th Century\u201d Vaughan Williams\u2019s Pastoral Symphony<\/em>\u201d<\/td>\n<\/tr>\n
<\/td>Jaymz Vance (University of Arkansas\u2014Fort Smith) &
\nNiki Wemmerus (University of Arkansas\u2014Fort Smith),
\n\u201cDigital Discoveries: Six Lost Works by Anna Amalia, Duchess of Saxen-Weimar-Eisenach Uncovered in Archduke Rudolph\u2019s Musikalien Register Nr 9\u201d<\/td>\n<\/tr>\n
<\/td>Jamie G. Weaver (Stephen F. Austin State University),
\n\u201cSeeing Possibilities: Re-examining the Contributions of Maria Theresia von Paradis through the Application of Feminist Theory and Disability Narrative Studies\u201d<\/td>\n<\/tr>\n
10:30 a.m. - 10:45 a.m.<\/td>Break<\/strong><\/td>\n<\/tr>\n
10:45 a.m. \u2013 12:15 p.m.<\/td>Panel 2: Performance, Identity, and Power<\/strong><\/td>\n<\/tr>\n
<\/td>Moderator: Lauryn Salazar (Texas Tech University)<\/td>\n<\/tr>\n
<\/td>Virginia E. Whealton (Texas Tech University), \u201cUrbanization, Whiteness, and Domestic Music in Early Nineteenth-Century Virginia\u201d<\/td>\n<\/tr>\n
<\/td>Anthony Cahill (Irish World Academy of Music and Dance, University of Limerick), \u201cThe Crossroads of Performativity: Examining the Performative Language and Artistic Practice of an Irish Traditional Accordionist\u201d<\/td>\n<\/tr>\n
<\/td>Jiung Choye (Independent Scholar), \u201cCognition, Pedagogy, and Performance: Marginalizations of Improvisation from Free Jazz and Chicano Music in the California Public School System\u201d<\/td>\n<\/tr>\n
12:15 p.m. \u2013 1:00 p.m.<\/td>Poster Session \/ Break<\/strong><\/td>\n<\/tr>\n
<\/td>Martina Li (Sam Houston State University), \u201cDeciphering the Decline of Classical Accordion in the United States\u201d<\/td>\n<\/tr>\n
<\/td>Megan Sarno (The University of Texas at Arlington) and Laurel Day (The University of Texas at Arlington), \u201cWhat Music Is Jank\u00e9l\u00e9vitch\u2019s Music and the Ineffable About?\u201d<\/td>\n<\/tr>\n
1:00 p.m. - 2:30 p.m.<\/td>Panel 3: Texts and Contexts of the Global Middle Ages<\/strong><\/td>\n<\/tr>\n
<\/td>Moderator: Luisa Nardini (University of Texas at Austin)<\/td>\n<\/tr>\n
<\/td>Christopher Hepburn (Texas Tech University), \u201cPoetic Pussyfooting or Mendacious Means? Non-Western Orthographies: Premodern Japanese Song-poetry in Perspective\u201d<\/td>\n<\/tr>\n
<\/td>Andrea Klassen (The University of Texas at Austin) \u201cVol 39 and its Context: Situating an 11th Century Troper within Medieval Italy\u201d<\/td>\n<\/tr>\n
<\/td>Jennifer Saltzstein (University of Oklahoma), \u201cLand, Loss, and Medieval Chivalric Yearning in \u2018Quant voi la glaie\u2019 by Raoul de Soissons\u201d<\/td>\n<\/tr>\n
2:30 p.m. \u2013 2:45 p.m.<\/td>Break<\/strong><\/td>\n<\/tr>\n
2:45 p.m \u2013 3:45 p.m.<\/td>Panel 4: Music, Film, Gaming<\/strong><\/td>\n<\/tr>\n
<\/td>Moderator: Stacey Jocoy (Texas Tech University)<\/td>\n<\/tr>\n
<\/td>2021 Hewitt-Oberdoerffer \tAward winner: Hannah E. Neuhauser (The University of Texas at Austin), \u201cLost without a Cue: Music and Masculinity in Detective Film Noir\u201d <\/td>\n<\/tr>\n
<\/td>Thomas B. Yee (The University of Texas at San Antonio,\u201d Self-
\nHarmonization \u2013 Musical Semiotics of Mental Health in the Video Game Gris\u201d<\/td>\n<\/tr>\n
3:45 p.m. \u2013 4:00 p.m<\/td>Break<\/strong><\/td>\n<\/tr>\n
4:00 p.m \u20135:00 p.m.<\/td>Panel 5: Revisiting the Early 20th Century<\/strong><\/td>\n<\/tr>\n
<\/td>Peter Mondelli (University of North Texas) <\/td>\n<\/tr>\n
<\/td>Scott M. Strovas (Wayland Baptist University), \u201c\u2018Anything Goes\u2019?
\nBroadway and the Tentative Origins of Jazz\u2019s \u201cBackdoor Dominant\u201d<\/td>\n<\/tr>\n
<\/td>Owen Hansen (University of Kansas), \u201cThe \u2018New\u2019 Englishmen: Boult, Vaughan Williams, Butterworth, and the 1918 Queen\u2019s Hall Concerts\u201d<\/td>\n<\/tr>\n
5:00 p.m.<\/td>Business Meeting<\/strong><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n

Acknowledgements<\/h2>\n\n\n\n

The Southwest Chapter of the American Musicological Society would like to thank:<\/p>\n\n\n\n

The Spring 2022 Program Committee<\/strong><\/p>\n\n\n\n