{"id":921,"date":"2024-04-20T14:55:49","date_gmt":"2024-04-20T14:55:49","guid":{"rendered":"https:\/\/ams-sw.org\/?page_id=921"},"modified":"2024-04-20T15:04:40","modified_gmt":"2024-04-20T15:04:40","slug":"april-5-2024-meeting","status":"publish","type":"page","link":"https:\/\/southwest.ams-net.org\/index.php\/april-5-2024-meeting\/","title":{"rendered":"April 5-6 2024 Meeting"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\"><br>Spring 2024 Joint Meeting of the Society for Ethnomusicology, Southern Plains Chapter &amp; American Musicological Society, Southwest Chapter. University of Oklahoma<\/h2>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Friday, April 5: Pitman Recital Hall, Catlett Music Center<\/strong><\/h2>\n\n\n\n<p><strong>12:00-5:00pm Registration<\/strong><\/p>\n\n\n\n<p><strong>12:45-1:00pm Welcome<\/strong><\/p>\n\n\n\n<p><strong>1:00-3:00pm Performance demonstrations<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Ashutosh (University of North Texas), \u201cIndo-Jazz Fusion: A Multicultural Fusion that Surpasses Cultural Constraints\u201d<\/li>\n\n\n\n<li>Yuxin Mei (University of North Texas), \u201cBridging Cultures through Music: The Journey of the UNT Chinese Music Ensemble\u201d<\/li>\n\n\n\n<li>Jose Macias (Independent Scholar) \u201cThe Legacy of Bene Medina\u201d<\/li>\n<\/ul>\n\n\n\n<p><strong>3:00-3:30pm Coffee Break in Gothic Hall<\/strong><br><em>Posters will be on display<\/em><\/p>\n\n\n\n<p><strong>3:30-5pm Roundtable<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>\u201cMusic Curriculum on the Border by the Sea and Beyond: Perspectives on Linguistic and Cultural Inclusivity\u201d\n<ul class=\"wp-block-list\">\n<li>Andr\u00e9s R. Amado, Jason Jones, Teresita Lozano, and Katrina Roush (University of Texas Rio Grande Valley)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n\n\n\n<p><strong>5-6pm Welcome Reception, sponsored by the University of Oklahoma<\/strong><br><em>Posters will be on display<\/em><\/p>\n\n\n\n<p><strong>7:30pm Concert at Sharp Hall in the Catlett Music Center<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>gl-OK-al Masala<\/strong>: A Kaleidoscope of Global Sounds from Oklahoma: Brazilian, Vietnamese Lion Dance, Native American<\/li>\n<\/ul>\n\n\n\n<p><strong>9:00pm Dance and Refreshments: Gothic Hall, Catlett Music Center<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>The concert will be followed by a participatory Irish \u201cSession\u201d with a caller and community dancers to lead participants in contra dance. There will also be refreshments available.<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Saturday, April 6: Wagner Hall, 1005 Asp Ave<\/strong><\/h2>\n\n\n\n<p><strong>8:00am-3:00pm Registration<\/strong><\/p>\n\n\n\n<p><strong>8-8:30am Coffee and refreshments, included in registration fee<\/strong><br><em>Posters will be on display<\/em><\/p>\n\n\n\n<p><strong>8:30-10:30am Paper Session 1<\/strong><\/p>\n\n\n\n<p><em>Panel 1A: Diversity, Equity, &amp; Inclusion<\/em><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Matthew Jones (Oklahoma City University), \u201c<em>Something to Give Each Other<\/em>: Reflections on Poppers, Queer Utopias, Togetherness, and Troye Sivan,\u201d<\/li>\n\n\n\n<li>Steve Parkhurst (Dallas International University), \u201cThe concept of \u201cFlow\u201d in Deaf Expressive Arts\u201d<\/li>\n\n\n\n<li>Robbie Segars (University of North Texas), \u201c\u2018Forming in a Straight Line\u2019: The Ramones, Violent Masculinity, and Punk Historiography\u201d<\/li>\n\n\n\n<li>Bre Lunday (University of Oklahoma), \u201cTwo-Spirit Indigeneity: An Exploration of Meaning and Reclamation,\u201d<\/li>\n<\/ul>\n\n\n\n<p><em>Panel 1B: Film Music<\/em><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Stephen Husarik (University of Arkansas \u2013 Fort Smith), \u201cDiscovery of the Psycho Theme: Raising the State of Research in Film Music\u201d<\/li>\n\n\n\n<li>Emily Peterson (Independent Scholar), \u201cUninterrupted Melodies: Examining the Impact of Reducing Intermission in Live-Capture Musicals\u201d<\/li>\n\n\n\n<li>Michael Lee (Independent Scholar), \u201c\u2018Children of the Night, What Music They Make:\u2019 Re-Examining the Soundtrack of&nbsp;<em>Dracula<\/em>&nbsp;(1931)\u201d<\/li>\n<\/ul>\n\n\n\n<p><em>Panel 1C: Sounds of Women: Survival and Resistance Through Performance, Aesthetics, and Memory in Latin America and Korea<\/em><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Eli Mena (University of Texas at Austin), \u201cWomen Combating Anti-Blackness through the Performance of Afro-Dominican Salve\u201d<\/li>\n\n\n\n<li>Vicky Mogoll\u00f3n Montagne (University of Texas at Austin), \u201cWomen in Malandreo: Aesthetics, Violence and Urban Sociability in Caracas\u201d<\/li>\n\n\n\n<li>Jeong-In Lee (University of Texas at Austin), \u201cGendered Memories and Sounding Silence in the Korean Borderland\u201d<\/li>\n\n\n\n<li>Mercedes Alejandra Pay\u00e1n Ram\u00edrez (University of Texas at Austin), \u201cPolyphony of Indigenous Identities in \u2018Mujeres del Viento Florido\u2019: Strategic Alliances in the Face of the Labor Dynamics of Colonial Capitalism\u201d<\/li>\n<\/ul>\n\n\n\n<p><strong>10:30-10:45am Coffee Break, included in registration fee<\/strong><\/p>\n\n\n\n<p><strong>10:45-12:15pm Paper Session 2<\/strong><\/p>\n\n\n\n<p><em>Panel 2A: Pedagogy<\/em><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Matt Roberson (Abilene Christian University), \u201c\u2018A Journey into American Music\u2019: Case-Study Pedagogy in Online Music History Courses in the General Education Curriculum,\u201d<\/li>\n\n\n\n<li>Sanna Pederson (University of Oklahoma), \u201cIn Search of the \u2018New Musicology,\u2019\u201d<\/li>\n\n\n\n<li>Tyler Stark (University of Oklahoma), \u201cListen, Respond, Repeat: Assessing the Impact of Scottish Aural Learning Pedagogy with U.S. Wind Bands,\u201d<\/li>\n<\/ul>\n\n\n\n<p><em>Panel 2B: Popular Music<\/em><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Brian Wright (University of North Texas), \u201cHarold Bradley, the Nashville A-Team, and the \u2018Tic-Tac\u2019 Bass Style\u201d<\/li>\n\n\n\n<li>Brian Sanders (University of North Texas), \u201cLa Santa Cecilia and the Rehumanization of the Undocumented Community\u201d<\/li>\n\n\n\n<li>Ashley Thornton (University of Texas at Austin), \u201c\u2018Does Anyone Hear My Voice?\u2019: Musical Foregrounding of Traumatized Voices During Turkey\u2019s 2023 Earthquake\u201d<\/li>\n<\/ul>\n\n\n\n<p><em>Panel 2C: Mexican\/American Borderlands<\/em><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Kristina Nielsen (Southern Methodist University), \u201cThe Slipperiness of Indigenismo and Decolonization in Aztec Dance\u201d<\/li>\n\n\n\n<li>Ramiro Godina (Universidad Aut\u00f3noma de Nuevo Le\u00f3n) \u201cEl mariachi regiomontano en Texas\u201d<\/li>\n\n\n\n<li>Amanda Minks (University of Oklahoma), \u201cIndigenous Audibilities across Borders: Henrietta Yurchenco\u2019s Radio Scripts for the Inter-American Indian Institute\u201d<\/li>\n<\/ul>\n\n\n\n<p><strong>12:15-1:30pm Lunch Break<\/strong><br><em>Complimentary sandwiches available, or on your own in the Memorial Union or in Campus Corner (two blocks north)<\/em><\/p>\n\n\n\n<p><strong>1:30-3pm Paper Session 3: Three Concurrent Panels<\/strong><\/p>\n\n\n\n<p><em>Panel 3A: Listening<\/em><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Jessica Hajek (Our Lady of the Lake University), \u201cAn Ethnography of Listening: Alibab\u00e1 and the Soundscape of Santo Domingo, Dominican Republic (1976-2001)\u201d<\/li>\n\n\n\n<li>Eduardo Martinez (University of Texas Rio Grande Valley), \u201cQueretaro v. Atlas: A Story of Tragedy through Song\u201d<\/li>\n\n\n\n<li>Breanna Plummer (Texas State University), \u201cTuning In\u2019: Pauline Oliveros and the Sounds Around Us\u201d<\/li>\n<\/ul>\n\n\n\n<p><em>Panel 3B: Africa<\/em><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Chineye Okoro (Washington University in St. Louis), \u201cColonialism and Festival Music: A Case Study of Women\u2019s Participation in Eastern Nigerian Festivals\u201d<\/li>\n\n\n\n<li>Nathaniel Ash-Morgan (University of North Texas), \u201cZongo Identity in Ghanaian Popular Music\u201d<\/li>\n\n\n\n<li>Andrew Normann (University of Texas at Austin), \u201cThe Museum of South African Hip-Hop: Building and Studying Hip-Hop and Popular Music Archives\u201d<\/li>\n<\/ul>\n\n\n\n<p><em>Panel 3C: Aesthetics<\/em><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Lesley Hughes (Sam Houston State University), \u201c\u2018A New Style for a New Time\u2019: Continuity and Conservatism in the Music of Paul Hindemith\u201d<\/li>\n\n\n\n<li>James MacKay (Loyola University New Orleans), \u201cWhen Analysis Intersects Performance: Flexible Formal Boundaries and Schmalfeldt\u2019s \u201cBecoming\u201d in Beethoven\u2019s Sonata in F major, Opus 10, no. 2, First Movement\u201d<\/li>\n\n\n\n<li>Hunter S. Hancock (University of North Texas), \u201c<em>Memento Musica 1897<\/em>: Music, Death, and the Secret Concert in the Paris Catacombs\u201d<\/li>\n<\/ul>\n\n\n\n<p><strong>3-4pm SEM-SP &amp; AMS-SW Business Meetings<\/strong><\/p>\n\n\n\n<p><strong>4-5pm Keynote Lecture<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Marysol Quevedo, \u201cComposing Opera Beyond Labels: Liquid Sonority in Tania J. Le\u00f3n\u2019s<em>Scourge of Hyacinths<\/em>\u201d<\/li>\n<\/ul>\n\n\n\n<p><strong>5-6pm Special Reception (TBA)<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Spring 2024 Joint Meeting of the Society for Ethnomusicology, Southern Plains Chapter &amp; American Musicological Society, Southwest Chapter. University of Oklahoma Friday, April 5: Pitman Recital Hall, Catlett Music Center 12:00-5:00pm Registration 12:45-1:00pm Welcome 1:00-3:00pm Performance demonstrations 3:00-3:30pm Coffee Break in Gothic HallPosters will be on display 3:30-5pm Roundtable 5-6pm Welcome Reception, sponsored by the &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/southwest.ams-net.org\/index.php\/april-5-2024-meeting\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;April 5-6 2024 Meeting&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-921","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/southwest.ams-net.org\/index.php\/wp-json\/wp\/v2\/pages\/921","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/southwest.ams-net.org\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/southwest.ams-net.org\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/southwest.ams-net.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/southwest.ams-net.org\/index.php\/wp-json\/wp\/v2\/comments?post=921"}],"version-history":[{"count":5,"href":"https:\/\/southwest.ams-net.org\/index.php\/wp-json\/wp\/v2\/pages\/921\/revisions"}],"predecessor-version":[{"id":931,"href":"https:\/\/southwest.ams-net.org\/index.php\/wp-json\/wp\/v2\/pages\/921\/revisions\/931"}],"wp:attachment":[{"href":"https:\/\/southwest.ams-net.org\/index.php\/wp-json\/wp\/v2\/media?parent=921"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}